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Sycamore Row, by John Grisham
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John Grisham takes you back to where it all began . . .
John Grisham's A Time to Kill is one of the most popular novels of our time. Now we return to that famous courthouse in Clanton as Jake Brigance once again finds himself embroiled in a fiercely controversial trial-a trial that will expose old racial tensions and force Ford County to confront its tortured history.
Seth Hubbard is a wealthy man dying of lung cancer. He trusts no one. Before he hangs himself from a sycamore tree, Hubbard leaves a new, handwritten, will. It is an act that drags his adult children, his black maid, and Jake into a conflict as riveting and dramatic as the murder trial that made Brigance one of Ford County's most notorious citizens, just three years earlier.
The second will raises far more questions than it answers. Why would Hubbard leave nearly all of his fortune to his maid? Had chemotherapy and painkillers affected his ability to think clearly? And what does it all have to do with a piece of land once known as Sycamore Row?
In Sycamore Row, John Grisham returns to the setting and the compelling characters that first established him as America's favorite storyteller. Here, in his most assured and thrilling novel yet, is a powerful testament to the fact that Grisham remains the master of the legal thriller, nearly twenty-five years after the publication of A Time to Kill.
- Sales Rank: #103485 in Books
- Published on: 2013-10-22
- Released on: 2013-10-22
- Formats: Audiobook, CD, Unabridged
- Original language: English
- Number of items: 16
- Dimensions: 5.90" h x 1.70" w x 5.10" l, .95 pounds
- Running time: 1230 minutes
- Binding: Audio CD
- 16 pages
Review
Praise for the novels of John Grisham
"John Grisham is about as good a storyteller as we've got in the United States these days." —The New York Times Book Review
"John Grisham is exceptionally good at what he does—indeed, right now in this country, nobody does it better." —Jonathan Yardley, The Washington Post
"Grisham is a marvelous storyteller who works readers the way a good trial lawyer works a jury." —Philadelphia Inquirer
"John Grisham owns the legal thriller." —The Denver Post
"John Grisham is not just popular, he is one of the most popular novelists of our time. He is a craftsman and he writes good stories, engaging characters, and clever plots." —Seattle Times
"A legal literary legend." —USA Today
About the Author
JOHN GRISHAM is the author of a collection of stories, a work of nonfiction, three sports novels, four kids' books, and many legal thrillers. His work has been translated into 42 languages. He lives near Charlottesville, Virgina.
Excerpt. © Reprinted by permission. All rights reserved.
1
They found Seth Hubbard in the general area where he had promised to be, though not exactly in the condition expected. He was at the end of a rope, six feet off the ground and twisting slightly in the wind. A front was moving through and Seth was soaked when they found him, not that it mattered. Someone would point out that there was no mud on his shoes and no tracks below him, so therefore he was probably hanging and dead when the rain began. Why was that important? Ultimately, it was not.
The logistics of hanging oneself from a tree are not that simple. Evidently, Seth thought of everything. The rope was three-quarter-inch braided natural Manila, of some age and easily strong enough to handle Seth, who weighed 160 pounds a month earlier at the doctor's office. Later, an employee in one of Seth's factories would report that he had seen his boss cut the fifty-foot length from a spool a week before using it in such dramatic fashion. One end was tied firmly to a lower branch of the same tree and secured with a slapdash mix of knots and lashings. But, they held. The other end was looped over a higher branch, two feet in girth and exactly twenty-one feet from the ground. From there it fell about nine feet, culminating in a perfect hangman's knot, one that Seth had undoubtedly worked on for some time. The noose was straight from the textbook with thirteen coils designed to collapse the loop under pressure. A true hangman's knot snaps the neck, making death quicker and less painful, and apparently Seth had done his homework. Other than what was obvious, there was no sign of a struggle or suffering.
A six-foot stepladder had been kicked aside and was lying benignly nearby. Seth had picked his tree, flung his rope, tied it off, climbed the ladder, adjusted the noose, and, when everything was just right, kicked the ladder and fell. His hands were free and dangling near his pockets.
Had there been an instant of doubt, of second-guessing? When his feet left the safety of the ladder, but with his hands still free, had Seth instinctively grabbed the rope above his head and fought desperately until he surrendered? No one would ever know, but it looked doubtful. Later evidence would reveal that Seth had been a man on a mission.
For the occasion, he had selected his finest suit, a thick wool blend, dark gray and usually reserved for funerals in cooler weather. He owned only three. A proper hanging has the effect of stretching the body, so Seth's trouser cuffs stopped at his ankles and his jacket stopped at his waist. His black wing tips were polished and spotless. His blue necktie was perfectly knotted. His white shirt, though, was stained with blood that had oozed from under the rope. Within hours, it would be known that Seth Hubbard had attended the 11:00 a.m. worship service at a nearby church. He had spoken to acquaintances, joked with a deacon, placed an offering in the plate, and seemed in reasonably good spirits. Most folks knew Seth was battling lung cancer, though virtually no one knew the doctors had given him a short time to live. Seth was on several prayer lists at the church. However, he carried the stigma of two divorces and would always be tainted as a true Christian.
His suicide would not help matters.
The tree was an ancient sycamore Seth and his family had owned for many years. The land around it was thick with hardwoods, valuable timber Seth had mortgaged repeatedly and parlayed into wealth. His father had acquired the land by dubious means back in the 1930s. Both of Seth's ex-wives had tried valiantly to take the land in the divorce wars, but he held on. They got virtually everything else.
First on the scene was Calvin Boggs, a handyman and farm laborer Seth had employed for several years. Early Sunday morning, Calvin had received a call from his boss. "Meet me at the bridge at 2:00 p.m.," Seth said. He didn't explain anything and Calvin was not one to ask questions. If Mr. Hubbard said to meet him somewhere at a certain time, then he would be there. At the last minute, Calvin's ten-year-old boy begged to tag along, and, against his instincts, Calvin said yes. They followed a gravel road that zigzagged for miles through the Hubbard property. As Calvin drove, he was certainly curious about the meeting. He could not remember another occasion when he met his boss anywhere on a Sunday afternoon. He knew his boss was ill and there were rumors he was dying, but, like everything else, Mr. Hubbard kept it quiet.
The bridge was nothing more than a wooden platform spanning a nameless, narrow creek choked with kudzu and crawling with cottonmouths. For months, Mr. Hubbard had been planning to replace it with a large concrete culvert, but his bad health had sidetracked him. It was near a clearing where two dilapidated shacks rotted in the brush and overgrowth and offered the only hint that there was once a small settlement there.
Parked near the bridge was Mr. Hubbard's late-model Cadillac, its driver's door open, along with the trunk. Calvin rolled to a stop behind the car and stared at the open trunk and door and felt the first hint that something might be out of place. The rain was steady now and the wind had picked up, and there was no good reason for Mr. Hubbard to leave his door and trunk open. Calvin told his boy to stay in the truck, then slowly walked around the car without touching it. There was no sign of his boss. Calvin took a deep breath, wiped moisture from his face, and looked at the landscape. Beyond the clearing, maybe a hundred yards away, he saw a body hanging from a tree. He returned to his truck, again told the boy to stay inside and keep the doors locked, but it was too late. The boy was staring at the sycamore in the distance.
"Stay here now," Calvin said sternly. "And don't get out of the truck."
"Yes sir."
Calvin began walking. He took his time as his boots slipped in the mud and his mind tried to stay calm. What was the hurry? The closer he got the clearer things became. The man in the dark suit at the end of the rope was quite dead. Calvin finally recognized him, and he saw the stepladder, and he quickly put the scene and the events in order. Touching nothing, he backed away and returned to his truck.
It was October of 1988, and car phones had finally arrived in rural Mississippi. At Mr. Hubbard's insistence, Calvin had one installed in his truck. He called the Ford County sheriff's office, gave a brief report, and began waiting. Warmed by the heater and soothed by Merle Haggard on the radio, Calvin gazed through the windshield, ignored the boy, tapped his fingers along with the wipers, and realized he was crying. The boy was afraid to speak.
Most helpful customer reviews
606 of 650 people found the following review helpful.
Grisham is Back!!
By Carollyn50
I have always loved John Grisham's books. I can remember when I was introduced to his writing when I read A Time To Kill. I read ALL of the time - I inhale books. I have been disappointed in the last few Grisham books. In fact, I was quite irritated to read his baseball ones. I felt he had abandoned his best writing : lawyer, courtrooms, small Southern towns. Well, I just finished Sycamore Row. Oh, my! It's a wonderful book. I loved how I could not guess how the ending would be. I will have to say Grisham is back 100%. This book will shoot to the number one spot on the best sellers list!
9 of 9 people found the following review helpful.
Grisham's story-telling at its best. A blend of comedy, drama, suspense and gut-wrenching angst.
By ILuvReading
This is a sequel to one of Grisham's best, "A Time to Kill." Not necessarily a prerequisite - this books stands just fine on its own. picking up a few years later, lawyer Jake Brigance and his family still haven't recovered fully from the side-affects of the Hailey trial in the previous book. Once again we have a suspenseful plot with the same theme of whether racism and greed will overwhelm the outcome of a legal battle steeped in 1980's Mississippi. Grisham is definitely an expert story-teller with vivid characters and twists that keep you interested in what 'should' be a tedious and boring lawsuit over a hand-written will. A wonderful blend of comedy, tears, drama, suspense and gut-wrenching angst. Your opinion of the verdict sways back & forth but just when you think the outcome is obvious - guess again!
If you haven't read "A Time to Kill" yet (or watched the movie), you might want to read it first, because it is equally good and this book will be a bit of spoiler.
820 of 888 people found the following review helpful.
Oh yeah... it's that good!
By Jason Frost
The beginning of 'A Time to Kill' opens with one of the cruelest act that could ever be committed on a fellow human being. That scene will forever be seared in the minds of anyone who has read it.
The ending of 'Sycamore Row' will evoke that exact same emotion.
I digress but let me quickly throw this in since I'll get this question five thousand times a day until Christmas. "Is this book really a sequel to 'A Time to Kill'? It depends on what your definition of "sequel" is. If to you a sequel is a book that includes the same characters as the previous book, then yes. If to you a sequel is a book that continues on the same storyline as the previous book, then no. There are references to Carl Lee and "that verdict" but not enough (in my opinion) to call it a continuation of the storyline in 'A Time to Kill'.
I know that's splitting hairs and to be honest... it really doesn't matter.
'Sycamore Row' is a GRAND SLAM in the bottom of the ninth, bases loaded, last game of the Series, off a pitcher that, up to that point, has thrown a perfect game. If you think I'm exaggerating I would love to chat with you after you've read this book. Seriously. I'm an unapologetic fan of Grisham and while I think he is a magnificent writer, I'm under no illusion that everything he writes is gold. (*Ahem*, 'The Last Juror', 'The Racketeer'). But there are the gold ones like 'The Broker', 'The Confession', 'A Time To Kill'...
And now 'Sycamore Row'.
This story centers around a colorful old man named of Seth Hubbard. Seth is old. Seth is dying. Seth is rich. Unfortunately the rich part is the one that draws the attention of everyone. Even if said rich is only speculative, and not yet proven. Seth is a shrewd yet successful business man with a plan that, on the surface, looks like he's lost his damn mind. He kills himself, leaves behind a new will that cuts out his children and bequeaths 90% of his estate to the Black maid.
A white man in the Deep South leaving the bulk of his rumored riches to his Black hired help... yeah, can't see why that would be a problem. Although the will is explicit in its direction and clear in its execution, you know it'll be challenged. Why? Because there hasn't yet been a law written that is above the scrutiny of the mighty and great wisdom of the all-knowing attorney. And so begins the circus.
We do have the pleasure of witnessing the antics of Harry Rex and beloved Lucien once again. These guys. I swear, there isn't enough alcohol in Ireland to sate those two. Despite their quest to become the reincarnation of 'Bartles & James', Ford County would be one hell of a boring place without them. And Jake would be lost.
Ah yes Jake. Life hasn't gone exactly as our brave lawyer hoped. Of course he did try a double murder case for only $900, so I'm not sure what he expected from good ole' Ford County. He's brought into this battle courtesy a mailed letter from Mr. Hubbard himself. Now contesting a will does seem dull and boring, and I'm sure in real life it is. But in the hands of John Grisham, following all this mess is pure joy.
Lettie Lang is the Black housekeeper who is the heir to this (potential) windfall. And because of such the leeches and distant family have all shown up to "help her through this rough and difficult time". Not only that, but she doesn't heed the advice of Jake and surrounds herself with one of the most jerk-off character I've had the pleasure of reading in a Grisham novel. I'll only say he's a lawyer from Memphis, TN and I was literally laughing out loud at this clown. Think of it like this... what if Al Sharpton had an entourage?
A good writer tells you about the interaction between characters. A great writer makes you feel the interaction between the characters. I wasn't sure if I liked Judge Atlee or not. At times I was cheering, other times I was found myself using words that I specifically invented for that lawyer clown from Memphis. I wanted to hug Dell and ask her if she's make me some shrimp-n-grits while bumping that ample derriere against me. My respect for Sheriff Ozzie grew and my distain for Seth's "family" only grew. And by "grew" I mean "like cancer".
The last time I felt such hatred and bile for a person(s) was Travis Boyette in 'The Confession'. And unless your father's name is Lucifer, you will too. Remember how I said a great writer will make you feel the interaction between the characters? With the loathing I had for this family, I felt that interaction between those characters and ME! His offspring are probably the only people who could make a suicide (by hanging no less) feel like a bloody escape.
Now... I'm going to warn you that there are two parts in this book that will make you pause. (Don't worry no spoilers here.). The first is an incident that involves Lattie Lang's husband. The father of the family he affects comes to speak to Jake and that conversation... if your eyes don't get a little bit wet then you have a heart of pure concrete.
The second part I alluded to earlier is the ending. 'A Time to Kill' has one of the most disturbing openings you'll read. 'Sycamore Row' has one of the most disturbing endings. The more you read the faster your heart beats. And the faster your heart beats the more you read. As you read this book you wonder "what does this have to do with that?", "what is the significance of that?" And then it hits you... right in the gut.
Hard.
'Sycamore Row' is history. 'Sycamore Row' is symbolic. 'Sycamore Row' is a place of pain. 'Sycamore Row' is a place of beauty. 'Sycamore Row' is one of the best books I've read this year.
*Personal note: John Grisham has had a few give-a-ways and contests with this new book of his. I entered but I didn't win. (No surprise there if you're familiar with my luck) You know what I wish John would do? I wish he would have a contest and then the winner(s) of the contest get to come to his house, sit on the porch, drink sweet (very sweet) iced tea, snack on boiled peanuts, and just listen to John tell stories. I've said this before but John has that old school, old soul, old traditional Southern way of telling stories. And it translates perfectly to paper.
Google Hangouts and FB question and answer sessions are great ways to connect us with our favorite writers. But imagine... just imagine a weekend in Mississippi immersed in the Southern culture, shooting the breeze on a slow Saturday afternoon with one of the most engaging storytellers writing today. THAT would be something. OK enough mindless meanderings from a book lover, back to your regularly scheduled life. And reading.
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